The Bloom Collective | B/W

To see in color is a delight for the eye but to see in black and white is a delight for the soul.
–Andri Cauldwell

Stephanie Bryan | Canon EOS 6D, Canon 135mm, 1/1000, f2.0, ISO 200

Hannah Terry of Hey Jewel Imaging | Canon 5D Mark III, 50mm, 1/1000, f2.0, ISO 100

Staci Schonbrun | iPhone

Crystal Livesay | Canon 70D, 50mm 1.8, 1/5000, f2.0, ISO 250

Kate Bragg | Canon 5D Mark III, Canon 24-70mm, 1/100, f3.5, ISO 1000

Allison Jacobs | Canon 5D Mark II, Canon 28mm 2.8, 1/125, f1.8, ISO 400

Christine Blaylock Photography | Canon 60D, 50mm 1.4, 1/200, f2.2, ISO 640

Robin Bonner Photography | Nikon D750, Sigma Art 35mm, 1/500, f1.8, ISO 160

Kristina Gorokhova | Canon 6D, 24-70mm, 1/30, f3.2, ISO 1000

Carey Pace | Nikon D800, Sigma 35mm 1.4, 1/4000, f4.0, ISO 100

Kim McKinney Photography | Canon 5D Mark III, 24-70mm 2.8, 1/400, f3.2, ISO 800

Lara Gowder | Sony a850, 24-70mm 2.8, 1/250, f2.8, ISO 1000

Karen Vlasak | Canon 5D Mark III, Sigma Art 35mm 1.4, 1/500, f1.4, ISO 100

Sthefany DeLaCruz | iPhone 7

Jamie Machin | Canon 5D Mark IV, 24-70mm 2.8L ii, 1/800, f3.5, ISO 100

Angela Douglas Photography | Canon 5D Mark III, 50mm, 1/500, f3.2, ISO 250

Laurie Flickinger | Nikon D750, Nikon 35mm 1.4, 1/400, f2.5, ISO 200

Sarah Pogorzelski | Canon 5D Mark III, 100mmL Macro, 1/1250, f2.8, ISO 100

Heather Eijzenga of Little Bird Photography | Canon 5D Mark III, Zeiss 35mm 2.0, 1/250, f2.8, ISO 640

Tricia Bovey | Canon 5D Mark III, Canon 24-70mm 2.8L, 1/2000, f2.8, ISO 100

Lexi Brenner | Nikon D700, Tamron 24-70mm, 1/200, f2.8, ISO 640

Melinda Meredith | Nikon D810, Lensbaby Sweet 35, 1/60, f2.8, ISO 1600

Melissa Summers | Nikon F100 (35mm film camera), 50mm 1.4, Ilford HP5 400, Rated at 1600 +2

Aurora Lampson of Lens Daisy Photography | Canon 5D Mark III, Canon ER 135mm 2.0L USM, 1/1600, f2.8, ISO 100

Evelyne Lourenco | Canon 5D Mark III, Canon 24mm TSE, 1/80, f3.5, ISO 1250

Sharlene Britton | Nikon D7200, Nikkor 35mm 1.8, 1/2500, f2.8, ISO 100